Edition Michael Procter

Renaissance choral music

Catalogue of editions by the late Michael Procter

Composers

Singers around the world will be pleased to know that Edition Michael Procter is available again, following the sad death of Michael Procter in 2012. His large collection of sacred choral music by renaissance composers is a very valuable resource for choirs, churches and music lovers.

There are an estimated 850 pieces in the catalogue (including versions offered in different transpositions), mostly transcribed by Michael from original sources in libraries all over Europe. These will be verified and re-catalogued over the next few years.

Orders and enquiries are welcome now at info@edition-mp.com and will be produced and sold by Peacock Press.

A note on prices

While the process of verification goes on, please treat these prices as indicative. Up to date prices can be obtained from info@edition-mp.com

Information and orders

For information and orders please contact

Scoring legend

For a popup explanation of the scoring symbols click any of the legend icon icons.

You can find composer biographies where you see the biography icon icon.

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Many of these editions can be read and heard online. Just click where you see the Score icon icon. To see the music, you will need Sibelius Scorch, which is available free.

Many of these editions can be read, heard and downloaded at ScoreExchange.com

Title Catalogue number Price
Recently reissued pieces, ordered by composer
Byrd, William
Byrd, William (c. 1540-1623) Show the biography
newMissa 4 vocum EMP0273 £5.80
SATB Scoring legend General Use - Mass Ordinary ISMN M-2056-0273-4
The well-known 'Mass for four voices' is a high-clef piece and is available at various pitches (here a semitone lower than the original). The Editor considers the piece should be sung down a fourth or a fifth by ATTB/ATBaB.
Alternative version(s):
EMP0750 Original pitch
EMP0615 A minor third lower than original pitch
EMP0616 A fourth lower than original pitch
EMP0691 A fifth lower than original pitch, top voice in Treble (Violin) clef
EMP1297 A fifth lower than original pitch, top voice in octave-Treble ('Tenor') clef
newMissa 4 vocum EMP0615 £5.80
SATB Scoring legend General Use - Mass Ordinary ISMN M-2056-0615-2
The mass is here transposed down a third, to a pitch suitable for mixed voices.
Alternative version(s):
EMP0750 Original pitch
EMP0273 A semitone lower than original pitch
EMP0616 A fourth lower than original pitch
EMP0691 A fifth lower than original pitch, top voice in Treble (Violin) clef
EMP1297 A fifth lower than original pitch, top voice in octave-Treble ('Tenor') clef
newMissa 4 vocum EMP0616 £5.80
ATTB Scoring legend General Use - Mass Ordinary ISMN M-2056-0616-9
The mass is here transposed down a fourth
Alternative version(s):
EMP0750 Original pitch
EMP0273 A semitone lower than original pitch
EMP0615 A minor third lower than original pitch
EMP0691 A fifth lower than original pitch, top voice in Treble (Violin) clef
EMP1297 A fifth lower than original pitch, top voice in octave-Treble ('Tenor') clef
newMissa 4 vocum EMP0691 £5.80
ATBB Scoring legend General Use - Mass Ordinary ISMN M-2056-0691-6
The mass is here transposed down a fifth, the pitch at which our editor considers it rightly belongs. This version has the top voice in Treble (Violin) cleff, two octave-Treble ('Tenor') clefs and Bass clef.
Alternative version(s):
EMP0750 Original pitch
EMP0273 A semitone lower than original pitch
EMP0615 A minor third lower than original pitch
EMP0616 A fourth lower than original pitch
EMP1297 A fifth lower than original pitch, top voice in octave-Treble ('Tenor') clef
newMissa 4 vocum EMP0750 £5.80
SATB Scoring legend General Use - Mass Ordinary ISMN M-2056-0750-10
The well-known 'Mass for four voices' is a high-clef piece and is available at various pitches. The Editor considers the piece should be sung down a fourth or a fifth by ATTB/ATBaB. This version is at the original high pitch.
Alternative version(s):
EMP0273 A semitone lower than original pitch
EMP0615 A minor third lower than original pitch
EMP0616 A fourth lower than original pitch
EMP0691 A fifth lower than original pitch, top voice in Treble (Violin) clef
EMP1297 A fifth lower than original pitch, top voice in octave-Treble ('Tenor') clef
newMissa 4 vocum EMP1297 £5.80
ATBB Scoring legend General Use - Mass Ordinary ISMN M-2056-1297-9
The mass is here transposed down a fifth, the pitch at which our editor considers it rightly belongs. This version has three voices in octave-Treble ('Tenor') clef and one in Bass clef.
Alternative version(s):
EMP0750 Original pitch
EMP0273 A semitone lower than original pitch
EMP0615 A minor third lower than original pitch
EMP0616 A fourth lower than original pitch
EMP0691 A fifth lower than original pitch, top voice in Treble (Violin) clef
Martinez, Odaline de la (Caridad) (b. 1949)
newA las cinco de la tarde EMP1130 Available direct from the composer
10 voices, SSSAATTBBB Scoring legend Secular ISMN M-2056-1130-9
An atmospheric setting of part of a poem by Federico Garcia Lorca. It uses slowly changing ostinato figures in pairs of voices to create an ominous, timeless soundscape. This item is now available direct from the composer: e mail: odaline@lorelt.co.uk or o.martinez@ntlworld.com phone: +447948099298.
newMisa Breve Afrocubana EMP0618 Available direct from the composer
SATB Scoring legend General Use - Mass Ordinary ISMN M-2056-0618-3
An early work by 'Chachi' Martinez, with ostinato and changing rhythms but well within reach of most choirs. This item is now available direct from the composer: e mail: odaline@lorelt.co.uk or o.martinez@ntlworld.com phone: +447948099298.
newTwo American Madrigals EMP0739 Available direct from the composer
SATB Scoring legend Secular ISMN M-2056-0739-5
Two settings of poems by Emily Dickinson - I'm Nobody and I held a jewel in my finger. The second is conventionally written, with a solo Soprano and ATB choir; the first uses the composer's typical ostinato technique, sprechgesang and woodblocks. Commissioned for the Cork International Choral and Folk Dance Festival 1978, the Two American Madrigals have also been performed by the BBC Singers. This item is now available direct from the composer: e mail: odaline@lorelt.co.uk or o.martinez@ntlworld.com phone: +447948099298.
Monteverdi, Claudio
Monteverdi, Claudio (1567 - 1643) Show the biography
newMissa Sanctissimae Virgini (Missa In illo tempore) EMP1078 £10.60
SSATTB Scoring legend Marian Feasts - Mass Ordinary ISMN M-2056-1078-4
A completely new edition replacing the Beauchamp Press version which we took over in 2008. This magnificent setting was the principal work in Monteverdi's 1610 collection which also included the famous Vespers. Based on melodic material from Gombert's 'In illo tempore' the work originally bore the title 'Missa Sanctissimae Virgini'. One of the grandest and most luscious of Monteverdi's works, it deserves to be as well-known as Palestrina's Missa Papae Marcelli or the Byrd 4-voice Mass. This version is at the original high pitch (only suitable for instruments).
Alternative version(s):
EMP1079 Down a fourth for male voices
EMP1080 Down a third (in 'A')
newMissa Sanctissimae Virgini (Missa In illo tempore) EMP1079 £10.60
SSATTB Scoring legend Marian Feasts - Mass Ordinary ISMN M-2056-1079-1
A completely new edition replacing the Beauchamp Press version which we took over in 2008. This magnificent setting was the principal work in Monteverdi's 1610 collection which also included the famous Vespers. Based on melodic material from Gombert's 'In illo tempore' the work originally bore the title 'Missa Sanctissimae Virgini'. One of the grandest and most luscious of Monteverdi's works, it deserves to be as well-known as Palestrina's Missa Papae Marcelli or the Byrd 4-voice Mass. This version is transposed down a fourth for male voices.
Alternative version(s):
EMP1078 Original high pitch (only suitable for instruments)
EMP1080 Down a third (in 'A')
newMissa Sanctissimae Virgini (Missa In illo tempore) EMP1080 £10.60
SSATTB Scoring legend Marian Feasts - Mass Ordinary ISMN M-2056-1080-7
A completely new edition replacing the Beauchamp Press version which we took over in 2008. This magnificent setting was the principal work in Monteverdi's 1610 collection which also included the famous Vespers. Based on melodic material from Gombert's 'In illo tempore' the work originally bore the title 'Missa Sanctissimae Virgini'. One of the grandest and most luscious of Monteverdi's works, it deserves to be as well-known as Palestrina's Missa Papae Marcelli or the Byrd 4-voice Mass. This version is transposed down a third (in 'A').
Alternative version(s):
EMP1078 Original high pitch (only suitable for instruments)
EMP1079 Down a fourth for male voices
Weelkes, Thomas (1576 - 1623) Show the biography
newThule, the period of cosmographie EMP0428 £3.00
SSATTB Scoring legend Secular - Ed: Pierre Funck and Michael Procter ISMN M-2056-0428-8
The celebrated madrigal is given here at the correct transposed pitch.
Wert, Giaches de (1535 - 1596) Show the biography
newGaudete in Domino semper EMP0489 £2.00
SATTB Scoring legend Advent - Motet general ISMN M-2056-0489-9
Rejoice in the Lord alway, and again I say rejoice!
Alternative version(s):
EMP0749 High pitch, down a semitone from the original
newGaudete in Domino semper EMP0749 £2.00
SATTB Scoring legend Advent - Motet general ISMN M-2056-0749-4
Rejoice in the Lord alway, and again I say rejoice! A version transposed down a semitone from the high-clef original.
Alternative version(s):
EMP0489 Transposed down a fourth
newO crux ave EMP0491 £3.00
SATTB Scoring legend Passiontide - Motet general ISMN M-2056-0491-2
A verse from the hymn Vexilla regis, in honour of Holy Cross.
newO sacrum convivium EMP0492 £2.00
SATTB Scoring legend Eucharist - Communion ISMN M-2056-0492-9
newVox clamantis in deserto EMP0490 £3.00
SMATTB Scoring legend Advent - Motet general ISMN M-2056-0490-5
The opening of Vox clamantis is an antiphon sung in Advent. Wert's setting is of a longer version of the text from Isaiah Chapter 40, which will be familiar from Handel's The Messiah: Every valley shall be exalted... The extraordinary ranges, deriving obviously from the text, make this splendid piece a challenge for any group.