Edition Michael Procter

Renaissance choral music

Catalogue of editions by the late Michael Procter


Singers around the world will be pleased to know that Edition Michael Procter is available again, following the sad death of Michael Procter in 2012. His large collection of sacred choral music by renaissance composers is a very valuable resource for choirs, churches and music lovers.

There are an estimated 850 pieces in the catalogue (including versions offered in different transpositions), mostly transcribed by Michael from original sources in libraries all over Europe. These will be verified and re-catalogued over the next few years.

Orders and enquiries are welcome now at info@edition-mp.com and will be produced and sold by Peacock Press.

A note on prices

While the process of verification goes on, please treat these prices as indicative. Up to date prices can be obtained from info@edition-mp.com

Information and orders

For information and orders please contact

Scoring legend

For a popup explanation of the scoring symbols click any of the legend icon icons.

You can find composer biographies where you see the biography icon icon.

Our partner site ItalianMadrigal.com offers lots more Italian madrigals.

Many of these editions can be read and heard online. Just click where you see the Score icon icon. To see the music, you will need Sibelius Scorch, which is available free.

Many of these editions can be read, heard and downloaded at ScoreExchange.com

Title Catalogue number Price
10 voices
SATBaB SATBaB Scoring legend
Gabrieli, Andrea, Del gran tuonante Show the score EMP0349 £3.75
Secular ISMN M-2056-0349-6
A splendid occasional piece. Martin Morell provides the following note: The "sorella e moglie" of the "gran Tuonante" is of course Juno/Hera, and it seems that she is attempting to launch a pre-emptive strike, as it were, on an unnamed rival who is journeying on the high seas. To this end she enlists the aid of Aeolus, who unleashes Circius, the north-west wind. The scheme is foiled, however, by Nereus, and Juno is obliged to "cede the palm." Although Juno certainly had a reputation for being nasty when her jealousy was aroused, the story recounted in the sonnet has no parallel in classical mythology that I am aware of. This makes me suspect that the madrigal is an "occasional" piece, commemorating the arrival in Venice of some illustrious (and, no doubt, still queasy) female personage after a not-so-uneventful voyage. ("How about a cup of tea and a nice madrigal or two to calm your nerves, dear?")