| Title | Catalogue number |
Price |
| Recently added | ||
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| newMissa 3 vocum | EMP1000 | €6.00 |
| ATB General Use - Mass Ordinary | ISMN M-2056-1000-5 | |
| The well-known 'Mass for three voices' is an ad aequales piece (with 'close-together' clefs, in this case MAT) and is available at various pitches. This version is at the original pitch, suitable for male voices. | ||
| Alternative version(s): EMP1001 A third higer EMP1002 A fifth higher EMP1003 A fifth lower |
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| newMissa 3 vocum | EMP1001 | €6.00 |
| SAT General Use - Mass Ordinary | ISMN M-2056-1001-2 | |
| The well-known 'Mass for three voices' is an ad aequales piece (with 'close-together' clefs, in this case MAT) and is available at various pitches. This version is a third higher than the original pitch. | ||
| Alternative version(s): EMP1000 original-pitch EMP1002 A fifth higher EMP1003 A fifth lower |
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| newMissa 3 vocum | EMP1002 | €6.00 |
| SSA General Use - Mass Ordinary | ISMN M-2056-1002-9 | |
| The well-known 'Mass for three voices' is an ad aequales piece (with 'close-together' clefs, in this case MAT) and is available at various pitches. This version is a fifth higher than the original pitch, suitable for female or boys' voices. | ||
| Alternative version(s): EMP1000 original-pitch EMP1001 A third higer EMP1003 A fifth lower |
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| newMissa 3 vocum | EMP1003 | €6.00 |
| TBaB General Use - Mass Ordinary | ISMN M-2056-1003-6 | |
| The well-known 'Mass for three voices' is an ad aequales piece (with 'close-together' clefs, in this case MAT) and is available at various pitches. This version is a fifth lower than the original pitch, suitable for male voices. | ||
| Alternative version(s): EMP1000 original-pitch EMP1001 A third higer EMP1002 A fifth higher |
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| newBenedictus Dominus Deus…Benedicti qui pugnant. | EMP1008 | €10.00 |
| SATB ATTB | ISMN M-2056-1008-1 | |
| A text found in no other setting, its belligerent - indeed pugnacious - character makes it apparent that it was written either for the annual Lepanto commemoration, or - most likely - to celebrate the Habsburg victory at Sisak in 1593. The source collection, Croce's first book of double-choir motets of 1594, was dedicated to Raimondo Della Torre, the Ambassador to Venice of the Holy Roman Empire. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices. | ||
| This item is a part of: EMP0808 Benedictus Dominus Deus…Benedicti qui pugnant. (Full score) |
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| newBuccinate | EMP1004 | €10.00 |
| SATB SATB Ascension - Motet general | ISMN M-2056-1004-3 | |
| A splendid piece appropriate for the Ascension but presumably originally written for the annual Lepanto celebration at S. Giustina, for which the phrase 'exultate Deo adjutori nostro' would have been very apposite. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices. | ||
| This item is a part of: EMP0066 Buccinate (Full score) |
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| newIncipite Domino | EMP1005 | €10.00 |
| SATB SATB Motet general | ISMN M-2056-1005-0 | |
| A splendid piece making full use of the instrumental references in the text - tympanis, citharis, cymbalis... This performing edition is offered a 4th lower than the high-clef original. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices. | ||
| This item is a part of: EMP0067 Incipite Domino (Full score) |
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| newLamentations A | EMP0967 | €3.00 |
| ATTB In Cena Domini (Maundy Thursday, Gründonnerstag) - Lesson (Lesung) incl. Lamentations | ISMN M-2056-0967-2 | |
| The set of three Lectiones from the Lamentations for Maundy Thursday, from Croce's first set of Lamentations 1603. | ||
| This item is included in: CQE4007 Vol.VII - Lamentationi I e II (hard cover) |
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| newLamentations C | EMP0969 | €3.00 |
| ATTB Holy Saturday (Easter Eve)(Karsamstag) - Lesson (Lesung) incl. Lamentations | ISMN M-2056-0969-6 | |
| The set of three Lectiones from the Lamentations for Holy Saturday, from Croce's first set of Lamentations 1603. | ||
| This item is included in: CQE4007 Vol.VII - Lamentationi I e II (hard cover) |
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| newLaudate Dominum in sanctis eius Ps. 150 | EMP1007 | €10.00 |
| SATB SATB Easter - Psalm at Lauds | ISMN M-2056-1007-4 | |
| Croce provided settings of all five 'Cinque Laudate' psalms in his Vespertina collection. This setting of the 'other' Laudate psalm (which is also sung at the Office of the Dead) is from the Motetti 8 voci of 1594. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices. | ||
| This item is a part of: EMP0963 Laudate Dominum in sanctis eius Ps. 150 (Version a tone lower than the original) |
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| newMissa Percussit Saul mille | EMP0927 | €9.50 |
| SATB SATB General Use - Mass Ordinary | ISMN M-2056-0927-6 | |
| A magnificent mass, a parody on Croce's own motet. Our standard version is a tone lower than the high-clef original and omits the 'Partidura'. This version is a 4th lower than the original high pitch, best suited for performance with cornetts and sackbuts, without the Partidura. The piece is available at other pitches, with or without the two-part 'Partidura', the original continuo or director's part. | ||
| Alternative version(s): EMP0329 A tone lower with organ EMP0869 A tone lower without organ EMP0945 A fourth lower with organ EMP0994 Original pitch with organ EMP0946 Original pitch without organ |
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| This item is also presented as: EMP1010 Set of parts |
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| newMissa Percussit Saul mille | EMP0945 | €9.50 |
| SATB SATB bc General Use - Mass Ordinary | ISMN M-2056-0945-0 | |
| A magnificent mass, a parody on Croce's own motet. Our standard version is a tone lower than the high-clef original and omits the 'Partidura'. This version is a 4th lower than the original high pitch, best suited for performance with cornetts and sackbuts, and includes the Partidura. The piece is available at other pitches, with or without the two-part 'Partidura', the original continuo or director's part. | ||
| Alternative version(s): EMP0329 A tone lower with organ EMP0869 A tone lower without organ EMP0927 A fourth lower without organ EMP0994 Original pitch with organ EMP0946 Original pitch without organ |
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| newMissa Percussit Saul mille | EMP0946 | €9.50 |
| SATB SATB General Use - Mass Ordinary | ISMN M-2056-0946-7 | |
| A magnificent mass, a parody on Croce's own motet. Our standard version is a tone lower than the high-clef original and omits the 'Partidura'. This version is at the original high pitch, without the Partidura. The piece is available at other pitches, with or without the two-part 'Partidura', the original continuo or director's part. | ||
| Alternative version(s): EMP0329 A tone lower with organ EMP0869 A tone lower without organ EMP0945 A fourth lower with organ EMP0927 A fourth lower without organ EMP0994 Original pitch with organ |
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| newMissa Percussit Saul mille | EMP0994 | €9.50 |
| SATB SATB bc General Use - Mass Ordinary | ISMN M-2056-0994-8 | |
| A magnificent mass, a parody on Croce's own motet. Our standard version is a tone lower than the high-clef original and omits the 'Partidura'. This version is at the original high pitch and includes the Partidura. The piece is available at other pitches, with or without the two-part 'Partidura', the original continuo or director's part. | ||
| Alternative version(s): EMP0329 A tone lower with organ EMP0869 A tone lower without organ EMP0945 A fourth lower with organ EMP0927 A fourth lower without organ EMP0946 Original pitch without organ |
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| This item is included in: CQE4002 Vol.II - Messe a 8 voci (hard cover) |
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| This item is included in: CQE4102 Vol.II - Messe a 8 voci (paperback) |
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| newMissa Percussit Saul mille | EMP1010 | €20.00 |
| SATB SATB General Use - Mass Ordinary | ISMN M-2056-1010-4 | |
| A magnificent mass, a parody on Croce's own motet. The piece is available with or without the two-part 'Partidura', the original continuo or director's part. Our standard version is a tone lower than the high-clef original and omits the 'Partidura'. This version, the one best suited for performance with cornetts and sackbuts, is a 4th lower than the original high pitch, here without the Partidura. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices. Organ part available separately. | ||
| This item is a part of: EMP0927 Missa Percussit Saul mille (A fourth lower without organ) |
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| newOmnes gentes | EMP1006 | €10.00 |
| SATB SATB Ascension - Motet general | ISMN M-2056-1006-7 | |
| A magnificent double-choir setting of the familiar Ascensiontide text. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices. | ||
| This item is a part of: EMP0331 Omnes gentes (Full score) |
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| newPercussit Saul mille | EMP0993 | €3.00 |
| SATB SATB Sunday after Pentecost - Respond | ISMN M-2056-0993-1 | |
| This version is a fourth lower than the high-clef original, ideal for performance with cornetts and sackbuts. | ||
| Alternative version(s): EMP0330 A tone lower EMP0995 Original pitch |
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| This item is also presented as: EMP1009 Set of parts |
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| newPercussit Saul mille | EMP1009 | €10.00 |
| SATB SATB Sunday after Pentecost - Respond | ISMN M-2056-1009-8 | |
| This version is a fourth lower than the high-clef original, ideal for performance with cornetts and sackbuts. A text found in no other setting, its belligerent - indeed pugnacious - character makes it apparent that it was written either for the annual Lepanto commemoration, or - most likely - to celebrate the Habsburg victory at Sisak in 1593. The source collection, Croce's first book of double-choir motets of 1594, was dedicated to Raimondo Della Torre, the Ambassador to Venice of the Holy Roman Empire. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices. | ||
| This item is a part of: EMP0993 Percussit Saul mille (Score) |
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| Ingegneri, Marco Antonio (Marc'Antonio) (c. 1536 - 1592) | ||
| newTwo Double-Choir Motets | EMP1012 | €4.20 |
| SATB SATB Holy Trinity | ISMN M-2056-1012-8 | |
| Includes Tibi laus, tibi gloria and Duo Seraphim, which are also available separately. | ||
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| newNectar et ambrosiam | EMP1016 | €1.80 |
| SSATTB Non-liturgical - Occasional piece | ISMN M-2056-1016-6 | |
| From Lassus' 6-voice Cantiones Sacrae, a piece written in honour of his employer: To thee, O prince renowned for your life of integrity, thy zeal for and love of peace bring nectar and ambrosia. Thou art beloved of thy people, the highest and lowest, made so by thy pure sincerity and integrity. Live happy, therefore, live to the years of Nestor (i.e. to great old age): this doth the sweet-sounding muse of Orlando wish thee. Here at the original high pitch. | ||
| newNectar et ambrosiam | EMP1017 | €1.80 |
| SSATTB Non-liturgical - Occasional piece | ISMN M-2056-1017-3 | |
| From Lassus' 6-voice Cantiones Sacrae, a piece written in honour of his employer. Here transposed down a 4th. | ||
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| newMagnificat Op. 69 No 3 | EMP0385 | €5.40 |
| SATB org General Use - Vesper Canticle | ISMN M-2056-0385-4 | |
| One of the three (English-texted) Anglican pieces composed by Mendelssohn about the time of his sister's death - Magnificat, Nunc Dimittis and Jubilate. Newly edited from the manuscript now in Krakow, which makes it clear that Mendelssohn's original conception included a part for organ, Nonetheless available as chorus score (as here) or with organ. | ||
| newMagnificat Op. 69 No 3 | EMP1015 | €5.40 |
| SATB org General Use - Vesper Canticle | ISMN M-2056-1015-9 | |
| One of the three (English-texted) Anglican pieces composed by Mendelssohn about the time of his sister's death - Magnificat, Nunc Dimittis and Jubilate. Newly edited from the manuscript now in Krakow, which makes it clear that Mendelssohn's original conception included a part for organ, which is included in this version. The work is also available as a chorus score without organ. | ||
| Sheppard, John (fl. 1540 - 1560) | ||
| newIn manus tuas ii and iii | EMP1011 | €1.80 |
| Compline | ISMN M-2056-1011-1 | |
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| newBeati quorum via integra est | EMP0999 | €3.00 |
| SSATTB Feasts of Martyrs - Anthem | ISMN M-2056-0999-3 | |
| I have listed the piece for Feasts of Martyrs according to the liturgical use of Psalm 119, of which this is the opening. However, the piece has achieved wide currency as an Anthem to be sung at any time. | ||
| newCoelos ascendit hodie | EMP0998 | €4.20 |
| SATB SATB Ascension - Anthem | ISMN M-2056-0998-6 | |
| I have listed the piece for the Ascension, for which alone it is appropriate. However, the piece has achieved wide currency as a concert piece and can be sung at any time. | ||
| newJustorum animae | EMP0997 | €3.00 |
| SSATTB All Saints (November 1) - Offertorium | ISMN M-2056-0997-9 | |
| I have listed the piece as the Offertory for All Saints, which is the official liturgical place for the text. However, it is often sung as an Anthem at evensong and is appropriate not only for All Saints but for Feasts of Martyrs outside Lent. | ||
| newThree Motets Op. 38 | EMP0996 | €7.00 |
| General Use - Anthem | ISMN M-2056-0996-2 | |
| This is a reprint of the first edition (1905) of the famous pieces - Justorum animae, Coelos ascendit hodie, Beati quorum via integra est - which have won such firm places in the repertoire of English church choirs. Harold Copeman established that the pieces were all written to be sung before dinner at Trinity College, Cambridge and were influenced by Prof. HAJ Munro, who was promoting a new school Latin - so that an (English) school Latin pronunciation should ideally be used. The pieces are also available separately: see separate entries for scorings. | ||
| Various (17th century) | ||
| newThree French Masses | EMP1014 | €12.50 |
| SATB General Use - Mass Ordinary | ISMN M-2056-1014-2 | |
| Three masses by French composers. | ||
| This item includes: EMP0687 de Bournonville, Jean, Missa Ave maris stella EMP0686 Cosset, Francois, Missa Exultate Deo EMP0688 Dagneaux, Pierre, Missa Vox exultationis |
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