icon. To see the music, you will need Sibelius 
| Title | Catalogue number |
Price |
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| newSalve Regina | EMP1107 | €3.50 |
SATB,bc
Holy Trinity to the Saturday before Advent - Marian Antiphon
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ISMN M-2056-1107-1 | |
| A further piece from Cavalli's Musiche Sacre; the setting is through-composed and uses several different tempi to match the text. | ||
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Gabrieli, Andrea (c. 1533 - 1585)
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| newMiserere mei Domine | EMP1114 | €5.90 |
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SATTBaB
Penitential - Psalm
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ISMN M-2056-1114-9 | |
| The fourth Penitential Psalm (Ps. 50) from Gabrieli's magnificent collection of settings published in 1583. We have so far published numbers 1,4,5,6 and 7; the other two settings are in the pipeline. This version of Miserere mei Deus, the first with the original note values, replaces our earlier edition EMP0353. It is a fourth lower than the high-clef original, but is also available at other pitches. In this version the Altus, Tenor and Quintus are all printed in the octave-treble clef; EMP1115 presents the Altus in treble clef (which we think looks horrible...) | ||
| newMiserere mei Domine | EMP1115 | €5.90 |
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SATTBaB
Penitential - Psalm
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ISMN M-2056-1115-6 | |
| The fourth Penitential Psalm (Ps. 50) from Gabrieli's magnificent collection of settings published in 1583. We have so far published numbers 1,4,5,6 and 7; the other two settings are in the pipeline. This version of Miserere mei Deus, the first to be reissued with the original note values, replaces our earlier edition EMP0353. It is a fourth lower than the high-clef original, but is also available at other pitches. In this version the Altus is in treble clef, for those who cannot read the octave clef. | ||
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| newRegnum mundi | EMP1106 | €2.00 |
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SATB
Non-liturgical - Motet general
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ISMN M-2056-1106-4 | |
| A strange and as yet unidentified text similar in mood to the Melanchola of Lassus. The piece is in an 'Ad aequales' scoring, i.e. it can be transposed to suit different groups of voices. This version is a fifth lower than the original and works well for SATB. | ||
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Ingegneri, Marco Antonio (Marc'Antonio) (c. 1536 - 1592)
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| newAgimus tibi gratias | EMP1102 | €3.50 |
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SATB
Non-liturgical - 'Grace' at mealtime
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ISMN M-2056-1102-6 | |
| In our series of small-scale pieces by this shamefully neglected composer, this is a setting of a prayer said after meals. | ||
| newAgimus tibi gratias | EMP1103 | €3.50 |
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SATB
Non-liturgical - 'Grace' at mealtime
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ISMN M-2056-1103-3 | |
| In our series of small-scale pieces by this shamefully neglected composer, this is a setting of a prayer said after meals. This version is a tone higher than the original. | ||
| newSalve regina | EMP1104 | €2.00 |
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SATB
Holy Trinity to the Saturday before Advent - Marian Antiphon
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ISMN M-2056-1104-0 | |
| One of a series of smaller-scale works by Ingegneri. | ||
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| newMissa Sanctissimae Virgini (Missa In illo tempore) | EMP1078 | €15.00 |
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SSATTB
Marian Feasts - Mass Ordinary
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ISMN M-2056-1078-4 | |
| A completely new edition replacing the Beauchamp Press version which we took over in 2008. This magnificent setting was the principal work in Monteverdi's 1610 collection which also included the famous Vespers. Based on melodic material from Gombert's 'In illo tempore' the work originally bore the title 'Missa Sanctissimae Virgini'. One of the grandest and most luscious of Monteverdi's works, it deserves to be as well-known as Palestrina's Missa Papae Marcelli or the Byrd 4-voice Mass. Our edition is available at the original high pitch (only suitable for instruments) as here, down a fourth for male voices, or down a third (in 'A'). Set of instrumental parts at any pitch and in any clef €35. | ||
| newMissa Sanctissimae Virgini (Missa In illo tempore) | EMP1079 | €15.00 |
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SSATTB
Marian Feasts - Mass Ordinary
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ISMN M-2056-1079-1 | |
| A completely new edition replacing the Beauchamp Press version which we took over in 2008. This magnificent setting was the principal work in Monteverdi's 1610 collection which also included the famous Vespers. Based on melodic material from Gombert's 'In illo tempore' the work originally bore the title 'Missa Sanctissimae Virgini'. One of the grandest and most luscious of Monteverdi's works, it deserves to be as well-known as Palestrina's Missa Papae Marcelli or the Byrd 4-voice Mass. Our edition is available down a fourth for male voices as here, down a third (in 'A'), or even at the original high pitch (only suitable for instruments). Set of instrumental parts at any pitch and in any clef €35. | ||
| newMissa Sanctissimae Virgini (Missa In illo tempore) | EMP1080 | €15.00 |
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SSATTB
Marian Feasts - Mass Ordinary
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ISMN M-2056-1080-7 | |
| A completely new edition replacing the Beauchamp Press version which we took over in 2008. This magnificent setting was the principal work in Monteverdi's 1610 collection which also included the famous Vespers. Based on melodic material from Gombert's 'In illo tempore' the work originally bore the title 'Missa Sanctissimae Virgini'. One of the grandest and most luscious of Monteverdi's works, it deserves to be as well-known as Palestrina's Missa Papae Marcelli or the Byrd 4-voice Mass. Our edition is available down a third (in 'A') as here, down a fourth for male voices, or even at the original high pitch (only suitable for instruments). Set of instrumental parts at any pitch and in any clef €35. | ||
| Pearsall, Robert Lucas (1795 - 1856) | ||
| newSalve Regina | EMP1105 | €2.00 |
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SATB
Holy Trinity to the Saturday before Advent - Marian Antiphon
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ISMN M-2056-1105-7 | |
| The first modern edition of a work published in 1856 and thus from the final year of Pearsall's life. He was received into the Roman Catholic church three days before his death, at the beginning of August 1856. | ||
| Rivafrecha, Martin de (Rivaflecha) (? - 1528) | ||
| newSalve regina | EMP1108 | €3.50 |
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SATB
Holy Trinity to the Saturday before Advent - Marian Antiphon
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ISMN M-2056-1108-8 | |
| A new and revised edition which replaces our earlier one. Only five pieces by Rivafrecha are known to have survived, all in the same manuscript in Seville. The composer was rated alongside Penalosa during his lifetime, and this piece is stunning. It is an alternatim setting, and I am grateful to Bruno Turner for providing me with a source of the chant known to the composer, which is incorporated in the edition. | ||
